Head up as far as we can go on the cable car. The air is getting thin and everything is tiring.
The cable car only gets us so high. The view is amazing, but there's a ways to go. We didn't buy oxygen tanks. Jing is struggling a bit. I'm alright. Deep breaths and small slow bursts of climbing steps, rest, keep going. There are empty oxygen tanks scattered about.
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Eventually we make it to the top, exhausted, but fine. The view is 360 degrees with the valley to the northeast and the rest of the Himalayas to the west and south. We can't even see the cable car from here.
Click here to load the full panoramic
14,498 ft high.
A wood platform on the top houses a series of Tibetan shrines, mani piles, and incense stoves. Everything is covered in white silk to symbolize the snow cover.
These stoves burn incense (often just pine branches).
Matt in China - 2012 - Shangrila
- Matt
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This mountain towers over the valley. The mountains off in the distance to the west tower over this one.
Incense stove with Himalayas in the background.
Looking past mani piles towards the sacred ridge. There's a shrine up there. Only monks are allowed up there.
Click here to see the big version
Bottom center, you can see a yak ranch. That dirt road over the ridge is the only way in.
Click here to see the big version
Click here to see the big version
Incense stove with Himalayas in the background.
Looking past mani piles towards the sacred ridge. There's a shrine up there. Only monks are allowed up there.
Click here to see the big version
Bottom center, you can see a yak ranch. That dirt road over the ridge is the only way in.
Click here to see the big version
Click here to see the big version
- cbobcat49
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Awesome! Tibet looks like the Wyoming of China.
What lies behind us and what lies ahead of us are tiny matters compared to what lives within us. ~Henry David Thoreau
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I could have saved a lot of moneycbobcat49 wrote:Awesome! Tibet looks like the Wyoming of China.
- ApproachingLight
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pics!!
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Pole (start of a mani pile)
A shrine at the top of the mountain (off limits to us)
Stoves becoming mani piles
Me and the Hengduan Mountain Range (the source of the Yangtze river)
Off in the distance that huge mountain made where I was standing seem pretty low to the ground.
A shrine at the top of the mountain (off limits to us)
Stoves becoming mani piles
Me and the Hengduan Mountain Range (the source of the Yangtze river)
Off in the distance that huge mountain made where I was standing seem pretty low to the ground.
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Down from the mountain, we head back to Shangrila Old Town and then to the north to Ganden Sumtseling Monastery (松赞林寺) in the late afternoon. Built in 1679 by the 5th Dalai Lama, and the size of a small village, this is the largest monastery in Yunnan and one of the most important Buddhist monasteries in China. Because of its importance to the Yellow Hat Tibetan sect of Buddhism and close ties to the Dalai Lama, this monastery was nearly demolished during the Cultural Revolution. Since 1983 it has gone under extensive reconstruction which continues today.During my visit a large crane sat atop the east lamasery.
Once home to upwards of 2000 monks, it now houses just under 700. It covers a sole hill and sits across a shallow lake. To the east and west are small domiciles of the faithful, which are then surrounded by rolling farmland. Each hilltop and mountaintop in sight is crowned with an alter.
Here is a satellite image of the monastery The lake to the south is completely dried up in this imagery.
[gmap=15]27.86342,99.70419[/gmap]
A panoramic of the Gandan Monastery
Click here to load a large version of the panoramic
Clouds overhead and the light getting lower, the gold-capped roofs and grass-covered walls turn the whole temple gold.
Several entrance-ways lead to a maze of alleys
So what do we do? Buy some street-potatoes!
A view of the Monastery from the lake.
The lake. Notice the alters on the tops of each hill.
Prayer flags circle the lake.
Once home to upwards of 2000 monks, it now houses just under 700. It covers a sole hill and sits across a shallow lake. To the east and west are small domiciles of the faithful, which are then surrounded by rolling farmland. Each hilltop and mountaintop in sight is crowned with an alter.
Here is a satellite image of the monastery The lake to the south is completely dried up in this imagery.
[gmap=15]27.86342,99.70419[/gmap]
A panoramic of the Gandan Monastery
Click here to load a large version of the panoramic
Clouds overhead and the light getting lower, the gold-capped roofs and grass-covered walls turn the whole temple gold.
Several entrance-ways lead to a maze of alleys
So what do we do? Buy some street-potatoes!
A view of the Monastery from the lake.
The lake. Notice the alters on the tops of each hill.
Prayer flags circle the lake.
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Light is getting low... hurry to into the monastery...
Notice construction on the top there.
Entering one of the temples. I took no photos inside as it is disrespectful. To enter, males must step over the foot-high threshold left foot first, careful not to touch the wood. Females step right foot first. No hats, no photography, no commerce.
The interiors of the temples are some of the most elaborately decorated structures I have ever seen. The walls and pillars are painted with bold and bright colors, day-glow accents and gold trim. Giant bronze Buddhas, Bodhisattvas, or Vajrayanas tower over everything else, and they are adorned with gifts of fruit, money, bottled beverages, and trinkets. A monk is usually at the base of the statue, reading scripture and available to talk with any worshipers. Visitors should walk in a clockwise direction, and a tunnel under each statue allows them to circomvent each room. Photos, statues, paintings, and word commemorate other deities, monks past, and Lamas. Everything is colorful, decorated and meaningful. It's sensory-overload. If one wall isn't stacked with statues, its walls are covered with deity-filled murals (Tibetan Buddhism has hundreds of deities). Money is stuffed into every crack, set on every surface, and offered on platters to the deity or dead who best symbolized what the worshiper needs, wants, or has. The scent of potala incense is calming, and the chanting of monks, either in the temple or from some distance away, gives me a sense I am out of place, yet safe and at peace. I could easily spend hours in each temple, viewing the art, observing the details, (and if I could read Tibetan or Chinese) learning a bit about the people honored there.
If I could photograph inside the temples, I'd plan a trip based on it. For now, the experience is all I needed.
Notice construction on the top there.
Entering one of the temples. I took no photos inside as it is disrespectful. To enter, males must step over the foot-high threshold left foot first, careful not to touch the wood. Females step right foot first. No hats, no photography, no commerce.
The interiors of the temples are some of the most elaborately decorated structures I have ever seen. The walls and pillars are painted with bold and bright colors, day-glow accents and gold trim. Giant bronze Buddhas, Bodhisattvas, or Vajrayanas tower over everything else, and they are adorned with gifts of fruit, money, bottled beverages, and trinkets. A monk is usually at the base of the statue, reading scripture and available to talk with any worshipers. Visitors should walk in a clockwise direction, and a tunnel under each statue allows them to circomvent each room. Photos, statues, paintings, and word commemorate other deities, monks past, and Lamas. Everything is colorful, decorated and meaningful. It's sensory-overload. If one wall isn't stacked with statues, its walls are covered with deity-filled murals (Tibetan Buddhism has hundreds of deities). Money is stuffed into every crack, set on every surface, and offered on platters to the deity or dead who best symbolized what the worshiper needs, wants, or has. The scent of potala incense is calming, and the chanting of monks, either in the temple or from some distance away, gives me a sense I am out of place, yet safe and at peace. I could easily spend hours in each temple, viewing the art, observing the details, (and if I could read Tibetan or Chinese) learning a bit about the people honored there.
If I could photograph inside the temples, I'd plan a trip based on it. For now, the experience is all I needed.